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I could start with the "this is a terrible misreading of Richards" whining, but that would be stereotypical of me. It is, though.
And it is probably worth noting that the differentiation from rhetoric and history (and, to a lesser extent, philology) were American problems, and not genuine problems faced by Leavis or Richards. (I'm not sure that Eliot even thought about disciplinary issues.) So we are looking at English responses to American problems that the English thinkers never faced and were largely oblivious to. It would be better to see what Ransom and Brooks and Winters and Tate wanted, in these terms, than what Richards, Eliot and Leavis wanted.
There is some element missing in During argument: about the importance of literary studies in establishing "national cultures," yet -- validating the United States as a nation because it has a literature, and so on.
But, from these broken grounds, can some argument be made?
Maybe. But none that convinces me that "literary studies" isn't an enterprise doomed because it self-seals. It's literature, it seems to me, because literary scholars study it. Literary scholars study it because it is literature. If it's not literature, it's rhetoric/cultural studies/communication. At UMD, the curriculum is built on that division of labor.
For a long time I've just wished that literary criticism would go away, or that it could be reconstituted as part of a general arts education, with music, painting, and so, leaving writing/speaking instruction focused on public issues. (Not that the arts and public issues couldn't be integrated, but it's more difficult for a beginning course.) I am not convinced that there is something clearly definable as "literature," unless it is connected with the arts, and it sounds like there's a lot of question-begging in this talk. A larger question is this: is there something peculiar about English/literature/writing that makes it a continual site of cultural crisis and struggle? You see it in the verbal critics of the late 19th c. (thanks, Rodney Herring for your very helpful dissertation on that topic), Irving Babbitt and the New Humanism in the '20's, and on and on. Something is dying in English, and some rough beast is always on the horizon. Weird. . . .