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Is Literary Criticism a Failed Project?


Submitted by Michael McGinnis on June 28, 2009 - 7:35pm


Some notes on Simon During's talk this past week at Cornell University. Dr. During is professor of literature at Johns Hopkins University.

During's talk began with a move to reconsider the project of literary criticism as a response to pressures on the humanities under the corporate-style regimes of modern university. During explained that such moves, which he described as a return to the primitive questions of a discipline, have proven regenerative for a number of other fields. During surveyed the history of literary criticism and its role in the formation and institutionalization of English departments as distinct from rhetoric, history, or philology.

During traces the development of literary criticism through the work of Eliot, Richards, and Leavis. With some variation between these three, this version of literary criticism is defined by its emphases on the transmission of experience over meaning, the importance of form over content, and on its devaluation of interpretation in favor of aesthetic appreciation. In this form, literary criticism enabled a stance against the fragmenting forces of modernism and and the vulgar tide of popular culture; it was, During argues, a force both anti-capitalist (in positing experience as something unique and noncommodifiable) and yet also anti-democratic (in its insistence that not all experiences were equal).

Given this history, During sees literary criticism as facing a fundamental crisis of purpose in the managed university. Although he argues that it cannot return to its origins, he insists that it needs to reanoint its goals as an intellectual project: the preservation of the value of experience through literature, an investigation of the metaphysics of immanence, an insistence that literature exists both inside and outside of history, and the use of criticism to oppose capital's effects on experience.

It was a wide-ranging and provocative talk, and raised a lot of questions I'm not sure I can fully articulate yet. In case this isn't clear from my notes above, During isn't calling for the end of cultural studies or of other intellectual approaches to texts and textuality so much as he is urging a reconsideration of the value of literature and literary criticism within the managed university. I'll be interested in reading any one's questions or responses, as this topic (in slightly different form) is one very close to my own interests.

Submitted by syntaxfactory on July 1, 2009 - 12:09am.

I could start with the "this is a terrible misreading of Richards" whining, but that would be stereotypical of me. It is, though.

And it is probably worth noting that the differentiation from rhetoric and history (and, to a lesser extent, philology) were American problems, and not genuine problems faced by Leavis or Richards. (I'm not sure that Eliot even thought about disciplinary issues.) So we are looking at English responses to American problems that the English thinkers never faced and were largely oblivious to. It would be better to see what Ransom and Brooks and Winters and Tate wanted, in these terms, than what Richards, Eliot and Leavis wanted.

There is some element missing in During argument: about the importance of literary studies in establishing "national cultures," yet -- validating the United States as a nation because it has a literature, and so on.

But, from these broken grounds, can some argument be made?

Maybe. But none that convinces me that "literary studies" isn't an enterprise doomed because it self-seals. It's literature, it seems to me, because literary scholars study it. Literary scholars study it because it is literature. If it's not literature, it's rhetoric/cultural studies/communication. At UMD, the curriculum is built on that division of labor.

Submitted by Jim Aune on June 28, 2009 - 11:01pm.

For a long time I've just wished that literary criticism would go away, or that it could be reconstituted as part of a general arts education, with music, painting, and so, leaving writing/speaking instruction focused on public issues. (Not that the arts and public issues couldn't be integrated, but it's more difficult for a beginning course.) I am not convinced that there is something clearly definable as "literature," unless it is connected with the arts, and it sounds like there's a lot of question-begging in this talk. A larger question is this: is there something peculiar about English/literature/writing that makes it a continual site of cultural crisis and struggle? You see it in the verbal critics of the late 19th c. (thanks, Rodney Herring for your very helpful dissertation on that topic), Irving Babbitt and the New Humanism in the '20's, and on and on. Something is dying in English, and some rough beast is always on the horizon. Weird. . . .